In this video, I will show you how to play the old-time fiddle tune "Bill Cheatham" on the mandolin. This fiddle tune is a very common jam tune, and you will find it in bluegrass, old-time, and Irish music sessions.
It appears with some different spelling for the name; I've seen Bill Cheatem and Bill Cheatum. It's primarily played in A-major, and that's how I present it here.
I will demonstrate a couple of ways to make easy variations for it, focusing on the pickup line.
I will also show you how to play the melody on the octave mandolin, using different fingerings.
Here I'm playing the tune with my friend Lena Jonsson who is an amazing fiddle player from Sweden.
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In this mandolin lesson, Hayes Griffin shows you how to play the melody to the Bill Monroe tune “Tennessee Blues.”
There are many ways that modern players choose to interpret this tune, but this lesson is focused on learning a version of the tune that “straightens out” the original crooked time signature of the Bill Monroe version. This version is closer to what Chris Thile and Michael Daves play on their cut of this tune.
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Today we are playing a pentatonic lick in box number 3. This closed position pattern is one of the essential shapes for playing up the fretboard. This little etude makes you do extreme position shifts so that Box no 3 becomes effortless in your playing. I’m demonstrating the lick in C-major and F sharp major.
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In this video, I will show you how to play the melody for sailor’s hornpipe on mandolin. This melody is an iconic fiddle tune that dates back to the 18th century.
This traditional music is presented in Celtic, Bluegrass, and Scandinavian music. However, my duo arrangement has a little ragtime flavour to it. The tune is sometimes referred to as "Jack's the Lad" and was also played in the animated cartoon series Popeye, so some people refer to this as Popeye's hornpipe.
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In this mandolin lesson, Hayes Griffin shows you how to play a chromatic lick that you can use to end your favorite jazz tunes or spice up your improvised solos.
We are playing a descending arpeggio line that resolves very nicely. Hayes also explains a one-chord trick that lets you use this lick for other styles like bluegrass and country music. Many others have done it before; now it’s your turn to get this classic line into your vocabulary!
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In this video lesson, I show you how to play a traditional Swedish fiddle tune called Årepolskan. This dance tune is a triplet polska from the region of Jämtland.
The melody is interesting, wandering from G-major to E-minor in a typical way for this tradition. It is a soulful and elegant fiddle tune.
Our arrangement is a three-part arrangement with a melody and harmony part on the mandolin and the chords part on the octave mandolin. I play the tune with my friend Lena Jonsson, a fantastic fiddle player from Sweden.
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Get my top tips for how to use a looper in your practice room.
In this video, I want to show you some tips for boosting creativity using a loop pedal. It’s a fun and simple way to bring new ideas into your playing.
I will explain how you can use it for scale practicing, soloing, composing, and making harmonies.
I don’t use my loop pedal on stage in a performance setting, but I use it regularly in my studio and practice room. It’s the ultimate jamming companion that never gets tired of your playing.
This lesson is an introduction to using a looper, and if you want more of this content, I would be happy to make a series going deeper into the different aspects of this topic.
The tech and gear used in my setup are TC Electronic Ditto Looper X2, Shure SM57 Microphone, and AER Compact XL amplifier, Petri Hakala F5 mandolin.
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In this mandolin lesson, Hayes Griffin shows you how to play the chords to the Bill Monroe tune “Tennessee Blues.”
There are many ways that modern players choose to interpret this tune, but here Hayes uses the unique “crooked time” signature of the original Bill Monroe version to show you how to play some standard bluegrass chop chords.
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In this video lesson, I show you how to play the Minuet in G major (BWV Anh. 114) by Johann Sebastian Bach. It is a delightful tune to play on the mandolin and is a lovely introduction to classical and Baroque music.
Thanks to Academy member Jane Gregory for her contribution and wonderful playing.
Our mandolin arrangement includes a melody part and a harmony part that can be played on both mandolin and octave mandolin.
This piece was originally included in the Notebook for Anna Magdalena Bach (1725), which JS Bach presented to his second wife. The piece has long been attributed to JS Bach, due to its inclusion in the Notebook, but was actually written for the harpsichord by a contemporary of Bach's, Christian Petzold.
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In this video, we are playing a scale exercise for the Dorian mode.
This is a perfect 10 Minute Challenge if you want to improve your technique and experience more flow in your melody playing. I’m demonstrating the exercise to the jig rhythm, the 6/8 meter, but I will also show you how to adapt this sequence to the 4/4 time for a more bluegrass type of groove.
We will also uncover a bit of music theory behind the Dorian mode.
In Mandolin Secrets Academy you’ll find:
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